Tintypes and ambrotypes, introduced in 1851 by Frederick Scott Archer, are a lasting testament to the beauty of hand-crafted photography. This collaboration with fashion designer Zev Steinberg reimagines Five Points, the gritty and vibrant neighborhood of 19th-century Lower Manhattan, using historically accurate furniture, handmade frames, and a backdrop I painted myself—a nod to the traditions of the time. Every detail, from the set design to the photographic process, rejects the fleeting nature of the digital age in favor of something enduring and tangible. It’s a celebration of craftsmanship, patience, and the timeless power of creating by hand.

Quarter Plate tintype of Tobias Micko. (2024)

Whole Plate tintype of Rick Davy. (2024)

Mammoth tintype of Brandon Soffer in Front of Timothy’s Hand-Painted Backdrop. (2024)

Sixth plate tintype of Tuan Phan. Mounted on an 1880s carte-de-visite paper mat (2024)

Half Plate tintype of Kahlil Amore, Maxwell Gray, and Zak Sclare (2024)

Half Plate tintype of Eli Dolton-Thornton and Shelly Levitte (2024)

Mammoth tintype of Axel Keppler in Front of Timothy’s Hand-Painted Backdrop. (2024)

Sixth plate tintype of Luc Benoit. Mounted on an 1860s carte-de-visite paper mat (2024)

Half Plate tintype of Luc Benoit (2024)

Sixth plate tintype of Brandon Soffer. Mounted on an 1870s carte-de-visite paper mat (2024)

20x24in. Mammoth Tintype of John Coffer (2023)